casimir and caroline / kazimir i karolina / 2014

Ödön von Horváth


Director: Snežana Trišić
Set designer: Darko Nedeljković
Costume designer: Maja Mirković
Composer: Irena Popović
Dramaturg: Gordana Goncić
Speech: dr Ljiljana Mrkić – Popović
Director assistant: Isidora Goncić
Composer’s assistants: Jovan Marić, Dragan Stevanović – Bagzi

Cast: Bojan Dimitrijević, Jelena Đokić, Bojan Žirović, Katarina Žutić, Tihomir Stanić, Nenad Ćirić, Nebojša Ilić, Milica Gojković, Jovana Stojiljković, Radomir Nikolić, Vladan Matović, Danilo Tirnanić, Vladimir Gurbaj, Irena Popović

Production: Atelje 212, Belgrade, December 2014

Sterija Award for the best costume design – the biggest national tribute in the realm of costume and stage design, Sterijino pozorje festival, Novi Sad, Serbia, 2015

Best costume design on International Small Scene Theatre Festival, Rijeka, Croatia, 2015


Maja Mirković’s costumes are a sterling study of time, characters, colours, cuts – a great treasure and a high-quality theatrical and artistic taste. It was a pleasure to watch the actors wearing them with ease – all those precisely assembled parts of the costume, which helped them express many hidden layers of understanding of the character and the situation. Masterfully, hats off!

(Goran Cvetković, Radio Belgrade 2 – Friday, December 19, 2014)

Here is the premiere we have been waiting for too long (…) which encompasses directing, acting, scenography and costume design in such a way that finally it is knowledge and skill that are expressed, instead of the deep-rooted charlatanism (that pretends to be talent and as such is expensively charged); a performance whose organs are so well tuned and harmonized to unanimously perform Eden von Horvat’s dramatic symphony (…) Maja Mirković’s costumes are not the clothes-that-make-the-men – she dressed them into living corpses, remains of themselves.

(Zlatko Paković, Danas:

Snežana Trišić is building the play of certain visual, sound and performing power, to which the costume designer Maja Mirković and the set designer Darko Nedeljković contribute significantly.

(Branka Krilović, RTS: